In the recent northern summer I spent time living on a boat around the industrial Dutch port of IJmuiden.
This is what my ears & co. routinely ingested.
‘Rain Down’ by Al Dobson Jr., from Sounds from the Village Vol.1
‘eyedrops’ by beatslave, a single track
‘Afro Quarters’ by Mo Kolours, from Mo Kolours
‘KIAI’ by 食品まつり aka foodman, from DRUM DESU
‘穴を掘れ（GORGE MIX）’ by HEY高橋, from Eviltoronics #2
‘Ghetto Gorge In Gorge Valley’ by Hanali, from End Gorge EP
‘ONENEOE(draft)’ by Hasji, a single track
‘roots jam #4′ by Bismuth, from faktoria compilation 2013
‘I Don’t Wanna Answer (Vocal version) (Bonus)’ by Seven Davis Jr., from The Lost Tapes Vol.1
‘Pilgrim and the Stars’ by Cave Circles, a single track
【This is a 10 TRXS MIX of sorts】
- br_dge WS .❍.
Alongside the superbly exciting news that @peace are running a limited vinyl press of their revered album @Peace and the Plutonian Noise Symphony, the dudes have also released the most fittingly rooted ‘Where I Come From’.
“but, I like it better where the bus is always late…”
The track has got my own heart pining ever-homewards – to the home city in discussion – though the track’s sensibility is something we can all get down with, in a real sense.
Vinyl preorders, limited to fifty pieces, are up right about now, no doubt for a similarly limited time – before they’re all just out there. So, yes.
– br_dge WS .❍.
“Going by last week, and not having put up last week’s podcast – I can’t promise anything…”
Dan Shake – ‘Thinkin’
Nikes – ‘Elevated’
Hanali – ‘10 Years Or 100 Years‘
Queens D. Light – ‘California Wildflower’
Jeremiah Jae – ‘The Heat’
New Flavour Unit – ‘Disco Diamonds‘
Grape God – ‘MURK TRONUGUT (feat. Blossom & Uno)‘
Assault Suits – ‘Statue Cathalogue (It Finds Its Own Uses)‘
OVVL – ‘Icewolf Awakening‘
Queens D. Light – ‘Supreme Flavors‘
Winnie Runnells – ‘You Don’t Know What Love Is’ (ᵮ)
Spooks – ‘Swindley’s Maracas’ (ᵮ)
The Icypoles – ‘Babies‘
Warpaint – ‘Disco//very (Richard Norris Remix)’
食品まつり aka foodman – ‘Beats ahe ahe‘
Crocodiles – ‘Mirrors (Tom Furse Remix)’
HANZ – ‘Rust (Homage)‘
LCD Soundsystem – ‘Beat Connection (Disco Dub Version)’
(ᵮ) = Face Value: unheard gems, or duds, you will find out with us…
- WS .❍.
Tags: Assault Suits, Crocodiles, Dan Shake, 食品まつり aka foodman, Grape God, Hanali, Hanz, Jeremiah Jae, LCD Soundsystem, New Flavour Unit, Nikes, Ovvl, Queens D.Light, Richard Norris, Spooks, The Icypoles, Tom Furse, Warpaint, Winnie Runnells
Wayniac Mondays are already three glorious weeks in, and I’ve started thinking children should be reading/listening to Jonwayne’s word as part of their literature quota each week in school.
I mean new works every week? Just in time for the start of the week?
I think the dude and Stones Throw are onto something there.
Anyways this week’s ‘Echoes’ carries on this proud tradition of wondrous quality.
And Gangster Doodles’ covers continue to be elegant.
(Also, catch Jon’s Doom-laden Special Herbs Medley from earlier last month for bonus groove times.) And tune in next Mon… etc. etc.
- br_dge WS .❍.
WARM, a side-project of WS favourite Gap Dream (aka Gabriel Fulvimar) is essentially an example of top notch synth nerdery. Fulvimar’s latest WARM release, Low Frequency Dude (He’s A) features everything you could ever ask for to that effect: he arpeggiates, oscillates, modulates delays and freaks out. It even gets a bit krauty with some live drums on tracks like ‘My Body’, which sees some serious filter action.
I don’t really have much more to say about it, it’s just really really rad and satisfying to listen to. ‘Some Have It, Some Don’t’ in particular is a track which warms (ha) my heart.
- CARL WS .❍.
Count Bass D – the man with a flow like smoked butter – took his journey to Cologne and has bubbled back out with an EP of consummate material for all the heads. Recorded during a two week stint in and out of Treehouse Studio with Twit One, Retrogott and Lazy Jones, the record is a true session inside a critical craft.
“My music is introverted, so it doesn’t matter if I decide move to Cologne or if I lived in Indonesia…” (Count Bass D)
Most certainly peep this splash! Mag short documentary that was filmed alongside the recording time. The Count discusses rap music’s move into sound design and the contemporary quandary of using a laptop and software like an instrument (“By the time that they start to get familiar and comfortable with it – the new update comes out… More people are more concerned with workflow than they are with the actual music…”), hip-hop culture as religion and its relationship with modern rap.
Orders for the record are going from the Melting Pot Music online store right now, so go on ’n get it.
- br_dge WS .❍.